Dream music

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Tangerine Dream are a German electronic music collective founded in by Edgar Froese. The group has seen many personnel changes over the years, with Froese being the only continuous member until his death in January Noted electronic music artist, drummer, and composer Klaus Schulze was briefly a member in an early lineup.

The best known and most constant line-up of the group, which worked during their most influential mids period, was a trio with Froese, dream music, Christopher Frankeand Peter Baumann. In the late s, Johannes Schmoelling replaced Baumann, and this lineup was stable and extremely productive as well. Their "Virgin Years," so-called because of their association with Virgin Recordsproduced albums that helped define what became known as the Berlin School of electronic music.

These and later albums were influential in both the development of electronic dance music and also new-age musicalthough the band themselves disliked that term.

From the late s into the s, Tangerine Dream continued to explore other styles of electronica. Even with their many studio and live recordings, many fans were introduced to Tangerine Dream by their film soundtracks. They also composed the instrumental piece, "Le Parc," which was used for the television series Street Hawkas well as writing the score for the video game Grand Theft Auto V. Franke joined Tangerine Dream in after serving time in the group Agitation Freeoriginally to replace Schulze as the drummer.

Franke stayed with the group for 17 years, leaving in because of exhausting touring schedules as well as creative differences with Froese. A number of other members were also part of Tangerine Dream for shorter periods of time.

Unlike session musicians, these players also contributed to compositions of the band during their tenures. Some of the more notable members are Steve Schroyder organist, —72Michael Hoenig who replaced Baumann for a Australian tour and a London concert, included on Bootleg Box Set Vol.

Throughout the s and into the s, Tangerine Dream was often joined on stage by Zlatko Perica or Gerald Gradwohl on guitars, and Emil Hachfeld on electronic drums. Jerome Froese left in after a concert at the Tempodrom in Berlin. For concerts and recordings, they were usually joined by Linda Spa on saxophone and flute, Iris Camaa on drums and percussion, and Bernhard Beibl on guitar. Inelectric violinist Hoshiko Yamane was added to the lineup, and is featured on some of the most recent albums.

In lateBernhard Beibl announced on his Facebook page that he would stop collaborating with Tangerine Dream. Shortly thereafter, it was announced that Tangerine Dream would no longer be touring with Linda Spa or Iris Camaa, but that Ulrich Schnauss had been brought into the fold.

Edgar Froese arrived in West Berlin in the mids to study art. His first band, the psychedelic rock -styled The Onesdisbanded after releasing only one single. After The Ones, Froese experimented with musical ideas, playing smaller gigs with a variety of musicians. The music was partnered with literature, painting, early forms of multimediaand more. It seemed as though only the most outlandish ideas attracted any attention, leading Froese to comment, "In the absurd often lies what is artistically possible.

Froese was fascinated by technology and skilled in using it to create music. He built custom-made instruments and, wherever he went, collected sounds with tape recorders for use in constructing musical works later. His early work with tape loops and other repeating sounds was the obvious precursor to the emerging technology of the sequencerwhich Tangerine Dream quickly adopted upon its arrival.

The first Tangerine Dream album, Electronic Meditationwas a tape-collage Krautrock piece, using the technology of the time rather than the synthesized music they later became famous for, dream music. The line-up for the album was Froese, Klaus Schulze, and Conrad Schnitzler. Electronic Meditation was published by Ohr inand began the period known as the Pink Years the Ohr logo was a pink ear. But starting with their second album, Alpha Centaurithe group has been a trio or occasionally duo of electronic instruments, commonly augmented by guitar from Froese or, much later, other musicians as welland occasionally also other instruments.

They also started their heavy usage of the Mellotron during this period. They kept the results and later added flute, bass-guitar, and Mellotron performances. The cantankerous Moog, like many other early synthesizers, was so sensitive to changes in temperature that its oscillators would drift badly in tuning as the equipment warmed up, and this drift can easily be heard on the final recording.

This album marked the beginning of the period known as the Virgin Years. The Time Machine and Vangelisthe band were early adopters of the new digital technology which revolutionized the sound of the synthesizer, although the group had been using digital equipment in some shape or form as early as the mid-seventies. Their technical competence and extensive experience in their early years with self-made instruments and unusual means of creating sounds meant that they were able to exploit this new technology to make music quite unlike anything heard before.

Some concerts were even performed in complete darkness as happened during the performance at York Minster20 October As time went on and technology advanced, the concerts became much more elaborate, with visual effects, lighting, lasers, pyrotechnics, and projected images. By their North American tour featured full-scale Laserium effects. Through the s and s the band toured extensively. The concerts generally included large amounts of unreleased and improvised material, and were consequently widely bootlegged.

The band released recordings of a fair number of their concerts, and on some of these the band worked out material which would later form the backbone of their studio recordings for example, Pergamon, which documents a concert given in East Berlin shortly after Johannes Schmoelling joined the group, contains themes that would appear later on Tangram.

An early example of this was the Ricochet album, which was recorded during a tour that included European cathedrals, with some later overdubbing. After their East Berlin gig, when they became one of the first major Western bands to perform in a Communist country, Tangerine Dream became very popular behind the Iron Curtain. They were one of the most popular bands in Poland in the early s and even released a double live album of one of their performances there called Polandrecorded during their tour in the winter at the end of With Poland, the band moved to the Jive Electro label, marking the beginning of the Blue Years.

Throughout the s, Tangerine Dream composed scores for more than twenty films. Their first exposure on U. Some of the more famous soundtracks have been SorcererRisky BusinessThe KeepFirestarterFlashpointNear DarkShy Peopleand Legend. At their best, the soundtracks have been as musically successful as the regular studio albums, and many fans discovered them through their film or television work.

Tangerine Dream have also composed the soundtrack score for the video game Grand Theft Auto V. InTangerine Dream released their own version of the theme music for the television series Stranger Things. In later years, Tangerine Dream released albums in series. The Dream Mixes series began in with the last being released in The Divine Comedy series, based on the writings of Dante Alighieri, spanned Fromthe Five Atomic Seasons were released.

Most recently, the Eastgate Sonic Poems series, based on the works of famous poetic authors such as Edgar Allan Poe and Franz Kafka, began inwith the last appearing in Also, beginning inTangerine Dream released a number of EPs, referred to as "CupDiscs" by the band. Jerome Froese released a number of singles as TDJ Rome that are similar to his work within the Dream Mixes series. In he released his first solo album Neptunes under the name Jerome Froese.

In Jerome left Tangerine Dream to concentrate on his solo career. His second solo album Shiver Me Timbers was released on 29 Octoberand his third, Far Side of the Facewas released in Beginning inJerome Froese joined with former Tangerine Dream member Johannes Schmoelling and keyboardist Robert Waters to form the band Loom, which plays original material as well as Tangerine Dream classics. The group had recording contracts with Ohr, Virgin, Jive ElectroPrivate Music, and Miramar, and many of the minor soundtracks were released on Varese Sarabande.

Inthe band founded their own record label, TDIand more recently, Eastgate. Subsequent albums are today generally not available in normal retail channels but are sold by mail-order or through online channels. The same applies to their Miramar releases, the rights to which the band bought back.

Meanwhile, their Ohr and Jive Electro catalogs known as the "Pink" and "Blue" Years are currently owned by Esoteric Recordings. To celebrate their 40th anniversary —Tangerine Dream announced their only UK concert at London Astoria on 20 April Tangerine Dream also played a totally free open-air concert in Eberswalde on 1 July and at the Alte Oper in Frankfurt on Main on 7 October In the group announced that they would play a concert at the Royal Albert Hall in London, on 1 Apriltitled the Zeitgeist concert, 35 years after their milestone concert there on 2 April The entire concert was released as a 3-CD live album on 7 July On 16 NovemberTangerine Dream performed in Melbourne, Australia, as part of Melbourne Music Week.

They were the final shows with Froese. Edgar Froese died suddenly in Vienna on 20 January from a pulmonary embolism. However, ex-member Jerome Froese announced in his Facebook time line that in his opinion Tangerine Dream will not exist without his father. Tangerine Dream began as a surreal rock band, with each of the members contributing different musical influences and styles.

Yes -like progressive rock influence was brought in by Steve Jolliffe on Cyclone. Classical music has had some influence on the sound of Tangerine Dream over the years.

A Baroque sensibility sometimes informs the more coordinated sequencer patterns, which has its most direct expression in the La Folia section that comes at the very end of the title track of Force Majeure. The first phrase is played on a harpsichord synthesizer patch, and is answered by the second half of the phrase in a flute voicing on a Mellotron. During the 90s, many releases included recordings of classical compositions: Pictures at an Exhibition on Turn of the TidesLargo from Xerxes on Tyranny of BeautySymphony in A Minor by J.

An infrequently recurring non-musical influence on Tangerine Dream, and Edgar Froese in particular, have been 12thth century poets. The band also clearly influenced s and s Trance musicwhere lush soundscapes and synth pads are used along with repetitive synth sequences, much like in their releases Rubycon and Ricochetas well as some of their music from the early s.

The group have also been sampled countless times, more recently by Recoil on the album SubHumanby Sasha on Involverand on several Houzan Suzuki albums. Tangerine Dream has released over one hundred albums not counting compilations and fan releases over the last four decades. A project to collect and release fan concert recordings, known as the Tangerine Treewas active from to From Wikipedia, the free encyclopedia.

For other uses, see Tangerine Dream disambiguation. Electronic ambient kosmische psychedelic space rock new age soundtrack. GTA5 Chandra - The Phantom Ferry Part II Sorcerer Josephine The Mouse Singer Phaedra Farewell Tour - The Concerts Mala Kunia Booster VII Supernormal - The Australian Concerts The Official Bootleg Series Volume One Quantum Key The Official Bootleg Series Volume Two Live At The Philharmony Szczecin - Poland Particles Quantum Gate Turn on Your Mind: Four Decades of Great Psychedelic Rock.

A Critical Discography of Tangerine Dream. Voices in the Net. Archived from the original on 29 November Retrieved 24 January Retrieved 23 January Retrieved July 17, Volume 2 The Score The Cinematographic Score: Discography Filmography Tangerine Tree Bootleg recordings.

Authority control WorldCat Identities VIAF: Retrieved from " https: Caroline Records artists German electronic musicians Jive Records artists Krautrock musical groups Musical groups established in New-age music groups Private Music artists Relativity Records artists Virgin Records artists.

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Tangerine Dream performing in Thorsten Quaeschning Hoshiko Yamane Ulrich Schnauss. Edgar Froese - leader and founder, keyboards, guitars —; his death Lanse Hapshash - drums — Kurt Herkenberg - bass — Volker Hombach - saxophoneviolin, flute — Charlie Prince - vocals — Steve Jolliffe - saxophone, keyboards, fluteKlaus Schulze - drums, percussion — Conrad Schnitzler - cello, violin —; died Christopher Franke - keyboards, drums — Steve Schroyder - keyboards, vocals — Edgar Froese - guitars Lanse Hapshash - drums Kurt Herkenberg - bass Volker Hombach - saxophone, violin, flute Charlie Prince - vocals.

Edgar Froese - guitars Lanse Hapshash - drums Kurt Herkenberg - bass Volker Hombach - saxophone, violin, flute. Edgar Froese - keyboards, guitars Steve Jolliffe - saxophone, flute, keyboards Klaus Schulze - drums, percussion. Edgar Froese - keyboards, guitars Klaus Schulze - drums, percussion Conrad Schnitzler - cello, violin. Edgar Froese - keyboards, guitars Christopher Franke - keyboards, drums Steve Schroyder - keyboards, vocals. Edgar Froese - keyboards, guitars Christopher Franke - keyboards, drums Peter Baumann - keyboards.

Edgar Froese - keyboards, guitars Christopher Franke - keyboards, drums Michael Hoenig - keyboards. Edgar Froese - keyboards, guitars Christopher Franke - keyboards, drums.

Edgar Froese - keyboards, guitars Christopher Franke - keyboards, drums Johannes Schmoelling - keyboards. Edgar Froese - keyboards, guitars Christopher Franke - keyboards, drums Paul Haslinger - keyboards, guitars. Edgar Froese - keyboards, guitars Paul Haslinger - keyboards, guitars. Edgar Froese - keyboards, guitars Paul Haslinger - keyboards, guitars Ralf Wadephul - keyboards. Edgar Froese - keyboards, guitars Paul Haslinger - keyboards, guitars Jerome Froese - keyboards, guitars.

Edgar Froese - keyboards, guitars Jerome Froese - keyboards, guitars. Edgar Froese - keyboards, guitars Jerome Froese - keyboards, guitars Linda Spa - saxophone, flute, keyboards.

Edgar Froese - keyboards, guitars Jerome Froese - keyboards, guitars Iris Camaa - percussion, V-drums. Edgar Froese - keyboards, guitars Jerome Froese - keyboards, guitars Linda Spa - saxophone, flute, keyboards Iris Camaa - percussion, V-drums Thorsten Quaeschning - keyboards, drums, vocals. Edgar Froese - keyboards, guitars Linda Spa - saxophone, flute, keyboards Iris Camaa - percussion, V-drums Thorsten Quaeschning - keyboards, drums, vocals Bernhard Beibl - guitars, violin.

Edgar Froese - keyboards, guitars Linda Spa - saxophone, flute, keyboards Iris Camaa - percussion, V-drums Thorsten Quaeschning - keyboards, drums, vocals Bernhard Beibl - guitars, violin Hoshiko Yamane - violin, cello. Edgar Froese - keyboards, guitars Thorsten Quaeschning - keyboards, drums, vocals Hoshiko Yamane - violin, cello Ulrich Schnauss - keyboards. Richi Wester Jayney Klimek - vocals —, Roland Braunstein Julie Ocean Mark Hornby — Gerald Gradwohl - guitarsGisela Kloetzer Emil Hachfeld - V-drums Vicki McClure Barbara Kindermann Claire Foquet Jane Monet Bianca AcquayeBry Gonzales Jack LibertyLerk Andebracht Saskia KlumppTatjana Kouchev Fridolin Johann Harms Brandenburg Symphonic Orchestra Neuer Kammerchor Potsdam Claire Fouquet Barbara KindermannDiane Miller Jane Monet Christian Hausl —, Gynt Beator Thomas Beator Hetty Snell Zoe Marshall Stephanie Oade Rebecca J.

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All materials sold on this site is copyrighted. An early example of this was the Ricochet album, which was recorded during a tour that included European cathedrals, with some later overdubbing. Electronic Meditation was published by Ohr inand began the period known as the Pink Years the Ohr logo was a pink ear.

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